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Volume 2, Issue #25 |
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Industry
Resource Top 5 Songs
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Billboard's
Top New Artist |
1.
I Wish Love Was Like That - The
Believers |
1.
Lyfe Jennings, Lyfe 268-192 |
2.
Ain't
Gon Hear It - Ariana |
2.
Sugarland, Twice The Speed Of Life
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3.
UPS-
Fertile Ground |
3.
Muse, Absolution
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4.
Turning
Point - Turning Point Lighthouse |
4.
The 5 Browns, The 5 Browns
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5.
Angel
- Pashaa |
5.
Hawthorne Heights, The Silence In Black
And White
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Two
Violins
Who said music doesn’t bring people together?
Take for example Justin O’Neill, who grew up
in the state of Washington, and North Carolina native
Magdalena Szczesniak. Both began playing violin as
youngsters and as fate would have it they would meet
at the University of Houston’s Moores School
of Music. Now, after graduating and tying the knot
last year, the couple finds itself performing with
the Symphony of Southeast Texas in Beaumont, as well
as entertaining crowds with their traditional classical,
Spanish dance and ethnic pieces as a duo at numerous
venues in the Dallas and Fort Worth area. With a few
demos already creating a buzz, the couple are now
working on their debut album.
Five Questions for Two Violins
1)What drew the two you to classical music?
“Both of our parents listened to and played
it. And we both started playing the violin early on.
It became our passion. An important part of our lives.”
2) It must be special to perform together now as a
married couple.
“It’s nice to have support coming from
someone sitting right next to you. It’s also
a lot of fun. Besides the actual performances, we
get to practice together as well. Playing as a couple
has also helped us land a few gigs.”
3)Which do you prefer—playing as part
of an orchestra or as a duo?
“They’re so different. When you’re
playing with an orchestra there is a little less pressure,
but it’s hard to stand out unless you make a
mistake. When we play together there is more of an
opportunity to be creative. You can take chances.
It’s probably more fun.”
4) Who would you say are
the musicians who’ve influenced you the most?
“We’d have to go with Beethoven, Mozart,
Joshua Bell, Bond, The Eroica Trio and Vanessa Mae.”
5) Instead of pressing for
an opportunity to play with the New York Philharmonic,
the Boston Symphony Orchestra or any major symphony
for that matter, you’ve made a joint decision
to work on creating an album. That’s not the
usual path for classical musician is it?
“We’re trying to break the mold. We’ve
recorded some demos and people have really responded
to them. We have a little studio in our house and
are able to do a lot of stuff from home. It’s
also a lot easier to record songs when it’s
just the two of us rather than an entire orchestra.”
----Joseph Barracato |
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Slam
Allen
At
5 years old, most kids are figuring out how to read
and spell. Harrison “Slam” Allen was learning
how to sing the blues. Slam, a Monticello, NY native,
spent parts of his childhood visiting his father in
Alabama, where he watched Harrison Sr. and his two
brothers entertain crowds with their unique jazz/blues
stylings. Once Slam started maturing, he would join
his family on stage and in turn begin his musical
career. To his credit, Slam has released two studio
albums and a live record and is currently playing
shows with his band in the upstate New York area as
well as gigs in Chicago with James Cotton, the legendary
harmonicat who played with Muddy Waters.
Five Questions for Slam Allen
1)
Ok, how did you come up with “Slam”?
“There’s two versions to how I got that
name. One, is the nickname I got when I was a teenager
trying to be a professional wrestler. The other just
stands for what I am—Smooth Like A Mother#%&*$!
2) Most people depict blues
music as gloomy and remorseful, yet you view it is
as uplifting. Explain why?
“In theory, blues music is sad. But when you
sing it, you’re in effect making yourself feel
better inside. It’s music for the soul. Every
note I sing is personal and that makes me feel happy.
That’s why I always have a smile on when I play.”
3) During your shows, you
always make an effort to connect with the crowd. Is
that something you’ve always been good at?
“A long time ago my father pulled me aside and
told me I wasn’t entertaining anyone. I was
like what are you talking about? Then I realized performing
the music wasn’t the entire job. It took me
a while, but I finally learned how to.”
4) You got to open for the
“Godfather of Soul” James Brown a few
years back. That must have blown your mind, right?
“It was just a beautiful experience. I grew
up watching him play. So opening for him was unbelievable.
It was just a great night.”
5) While in Chicago, you
hooked up with Cotton. Are you still jamming with
him?
“Oh, yeah. We’ve been playing all over
the place. We’re a traveling band. I couldn’t
even imagine playing with him years back, but look
what happened. We’re having a great time touring
and now there’s talk of recording an album.”
----Joseph Barracato
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SMITH ‘WILLS’ HIS WAY BACK ON TOP”
Every
few years rapper/actor Will Smith reemerges and takes
control of the entertainment world with a one-two
movie/album punch that reminds everyone just how talented
and likable the former Prince of Bel-Air really is.
And this time around is no different. Smith, who is
currently starring in the film "Hitch”
which opened at No. 1 last weekend at the U.S. box
office while grossing $43.1 million, is finishing
up work on his newest LP “Lost and Found”
that is due out on March 29. It will be the first
album under his new label Interscope since his divorce
with Columbia, which Smith released three studio albums
and a best-of collection.
His follow-up to 2002’s “Born To Reign”
is full of guest shots including All-World producer
Timbaland, Snoop Dogg and Mary J. Blige. The new record’s
first single, entitled "Switch," which was
produced by Kwame, will include a remix featuring
Elephant Man and a separate R&B remix with a special
appearance by Robin Thicke. Snoop provides lyrics
in “Pump Ya Brakes," while Blige joins
in for a duet, that is yet to be titled. Besides Timbaland,
production was handled by longtime collaborator and
friend DJ Jazzy Jeff as well as Smith himself, who
has over 50 recorded tracks to choose from in what
he promises to be a personal and revealing album.
Smith’s third project this year may be his most
fascinating and provocative one to date. The Philadelphia
native joins director Jonathan Mostow to bring the
superhero drama "Tonight He Comes" to the
big screen and are in early negotiations with Columbia
Pictures. Despite “Tonight’s" dark
script, many A-list actors have shown interest. The
baseline of the story is the life of a unhappy superhero
who indulges in alcohol and one-night stands.
Smith and his Overbrook Entertainment company will
pair up with Mostow, who directed such films as "Terminator
3: Rise of the Machines," "U-571" and
"Breakdown,” and take part of a new wave
of projects that features superheroes that aren’t
based on existing comic book-based characters. His
company, which is based at Columbia, has enjoyed much
success recently over the past few years with the
"Bad Boys" and "Men in Black”
films, with “Hitch” about to follow in
their footsteps.
----Joseph Barracato
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Q: Which is better a Major Label or an Indie (independent)
Label?
-- Dee Buzz, Wrecking Crew
Quite frankly, the two are very similar. In fact,
in many cases Indie labels are smaller subsidiaries
owned by larger labels. However these two entities
have distinct qualities, characteristics and personalities.
Understanding these differences are the key to determining
which is type of label is right for you.
Indie labels tend to focus on very specific genres
and sounds. They leverage their expertise to help
push that sound at the college and/or street level.
This in turn is a great method to generate initial
buzz for a new group or artists. Indie labels also
have smaller staffs and some groups like the attention
of being the number 1 item at their label. However,
Indie labels don't have financial muscle of their
large more established breathen.
The larger labels have the financial clout to market
and sell millions of albums before they're off the
press. They also have huge, influential staffs that
can turn around tasks in a significantly shorter time
span. However, what the majors offer in terms of financial
capability can be compromised if your group isn't
ready to move mountains. In other words, if your one
of your goals is a sustained music career, moving
a mountain in the short term may turn out a 1 hit
wonder. And well you know the rest...
--- Adam P.
Have a question? Submit it to questions@theindustryresource.com
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