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Volume 2, Issue #13 |
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Industry
Resource Top 5 Songs
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Billboard's
Top New Artist |
1.
We
Became One - Stewart &
Anderson |
1.
Crossfade, Crossfade |
2.
Jesus
Grace - Stewart & Anderson |
2.
My Chemical Romance, Three Cheers For
Sweet Revenge
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3.
My
King - Orathay |
3.
Snow Patrol, Final Straw
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4.
Heal
Joe - Stewart & Anderson |
4.
Future Leaders Of The World, LVL IV
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5.
Your
Forgiven - Stewart & Anderson |
5.
Utada, Exodus
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Amber
Rose
Don’t be fooled by Amber Rose’s age. The
soon to be 18-year-old has been involved in the entertainment
industry since most of her friends were riding big
wheels. Rose, a California native, landed her first
acting gig on a TV movie called “Face Of Love”
when she was only four. Although she was nominated
for a Youth In Film Award, Rose drifted toward poetry
and music to satisfy her artistic cravings. By the
age of 12 she was writing her own songs and playing
guitar. Now, the recent high school graduate, is playing
solo shows in the L.A. area including ones at 14 Below,
The Accept and Respect Festival and The Rainbow Bar
& Grill.
Five Questions for Amber Rose
1) At 11-years-old kids are usually
playing tag, not writing poetry. What sparked your
interest in that?
“I had just started at a new school and was
taking an art class. My teacher knew I wasn’t
able to draw so he suggested poetry might be a better
artistic outlet. I had been through a lot by then
emotionally and it was a great way for me to express
my feelings.”
2) Tell us about your first solo
gig that prepared you for the L.A. club circuit.
“I played in my H.S. auditorium in front of
150 people and scared to death. But I made it through.
It was the most amazing experience I ever had. Now
when I play, its in bars with people drinking and
screaming. I still get nervous, but love to perform.”
3) What’s the story behind
“Don’t let go”?
“It’s a song about a friend I had in middle-school
that committed suicide. A very emotional song on a
very sad topic. On my website I have links for suicide
and drug prevention. It’s something I feel people
need to start paying more attention to.”
4) You have a catalog of over 30
songs. Is there a sense of urgency to get into a studio
and get them recorded? Definitely, that’s what
I’m trying to do right now. I’m actually
using Craigslist to find some bandmates that I can
collaborate with. I would love the opportunity to
play with some people and show another side of me.”
5) Currently, you’re using
the internet as a second option to get your music
across to the masses. Do you feel that is a good way
for unsigned musicians to break into the industry?
“Definitely. Although I feel performing live
does give you the best chances at getting noticed.
It just gives you another option.”
----Joseph Barracato
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Happy
Anarchy
If you enjoy the average rock band, you’ll be
blown away by Happy Anarchy. Literally. In addition
to the norm, Happy Anarchy features a booming horn
section filled with trombones, trumpets and saxes.
For the past eight years, they’ve entertained
crowds in the tri-city area including shows at the
infamous CBGB’s and The Stone Pony. After introducing
themselves in 1999 with “You: 0 and the World:
1” under the name “The Sweathogs”,
they struck again earlier this year with their self-titled
sophomore album. They deliver a unique and spirited
live show, and have been compared to the Barenaked
Ladies.
Five Questions for Happy Anarchy
1) Is it difficult to write songs
with seven instruments being utilized?
“Yeah, it can be challenging. Usually, our singer
brings in an idea and we start jamming to it. Sometimes
we can come up with a song quickly. But there are
times when it can take a few months.”
2) How do you settle on the melodies?
“Compromise. Someone might like a certain sound
but then another guy will come over and say how about
we do it like this. It’s a process all bands
go through in order to get the best results. It’s
like a democratic thing.”
3) Not too long ago you guys caught
a pretty nice break and found yourselves on the radio.
What happened?
“We entered a contest for the Ron & Fez
Show that use to be on WNEW and were one of the five
finalists. We had an on air interview and then got
to perform at The Hard Rock Cafe in midtown, which
was broadcasted. It was a huge ego boost. It was unbelievable
to hear ourselves on the air.”
4) You have said in the past that
you don’t care if you perform in front of five
people or 500. Explain.
“When you’re an unsigned band you love
to play for anyone. Of course we would love to play
for thousands, but that isn’t the case every
time out. So we go out and play with tons of energy
for whoever is there. We play the same no matter what
size the audience is.”
5) Despite the fact you just released
an album earlier this year, the band already has some
new material. What’s the plan for it?
“To play the songs live and get a sense of what
the crowd thinks of them. We’ve been playing
them during our recent shows at ‘Rare’
in the city. We’ve also started recording some
of them.”
----Joseph Barracato
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Pearl Jam Reward Fans Yet Again
As if they haven’t done enough the past few
years, Pearl Jam have decided to celebrate their divorce
with Epic after 12 years by releasing a double-disc,
33-track Greatest Hits collection November 16. “Rearviewmirror”
will feature 16 of the bands top 10 hits including
the No. 1s "Daughter," "Betterman"
and "Given To Fly”. Unfortunately, there
won’t be any new songs on either disc, mostly
because that was taken care of last November when
the band surprised fans with “Lost Dogs”,
their double-disc rarity album. But there will be
a few remixes. No, Funkmaster Flex wasn’t called
in, but longtime producer Brendan O'Brien reshaped
"Once," "Alive" and "Black"
from the group’s raw and powerful debut album
“Ten”.
There are such staples as "Elderly Woman Behind
the Counter in a Small Town," "Corduroy”,
"Even Flow", “Wishlist” and
“Jeremy”. A few surprises include “I
Got ID”, “Off He Goes” and “Who
You Are”, while non-Album gems "Yellow
Ledbetter", “Last Kiss” and 2003’s
"Man of the Hour," which was taken from
the film "Big Fish", give fans a set list
that would be an instant classic at any show.
The band just wrapped its up its Vote for Change Tour
with Bruce Springsteen and co. this past week and
gave audiences several memorable performances, including
two high-powered shows in Boston to kick it off. Long
setllists were accompanied by four or five cover songs
a night including Bob Dylan’s “Masters
of War”, which they played on a visit to The
David Letterman Show. The tour only traveled to select
cities across the US, so Pearl Jam lobbied for a show
to be televised on the Sundance Channel last week
so fans who weren’t able to check them out live
still got a taste.
So, without a label and recent mini-tour just completed,
one would think it’s time for a break. Think
again. The band that fought Ticketmaster to lower
their sales prices, released thousands of live albums
from their two most recent tours and might play a
lead role in forcing George Bush out of The White
House is heading back into the studio next month to
begin work on its eighth album. Instead of hiding
from the spotlight as they did in the mid-90’s,
Pearl Jam may finally be ready to embrace it.
----Joseph Barracato
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Q: Is it easier for an artist to make it big
in Europe?
-- A. Rubio
A: As we all know the music industry is a tough
industry to make a living in. Superstar status is
a rarity that requires the proper alignment of the
stars, the moon and the planets. More accurately,
attaining superstar status requires timing, talent,
market demand and a little luck.
So many artists are signed to deals and don’t
make it "Big" here in America and they give
up. If your music is relevant and can transcend language
and cultural barriers Europe and/or other markets
(South Africa, South America
and Asia) may prove to be
viable options for you. There are plenty of American
Hip Hop, Dance and Pop groups that successfully cross
the Atlantic and Pacific oceans to make there mark
in this game. And once you have built a following
in another market the American market may just be
ready to hear what you have to say.
Remember, however, success is not guaranteed just
because you enter a different market. Therefore, do
your research to determine 1) The vitality of your
genre in your market of interest, 2) The size of the
music industry in that market and 3) Your ability
to adapt to your new home.
--- Adam P.
Have a question? Submit it to questions@theindustryresource.com
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