The Industry Reporter

   Volume 2, Issue #12

Top Five Chart Info

Industry Resource Top 5 Songs

Billboard's Top New Artist

1. J. Hill, VITAL TIME

1. The Alchemist, 1st Infantry

2. Vivienne, Hold Me Down

2. Crossfade, Crossfade

3. The Believers, You Believe

3. Colonel Claypool's Bucket Of Bernie Brains, The Big Eyeball In The Sky

4. Angela Shella, Winter Turn June

4. Skye Sweetnam, Noise From The Basement

5. J. Hill, One Last Cry

5. The Black Keys, Rubber Factory

The Corner
Rhone Nabs Motown

Entertainment Moguls to Join Forces

FBI Ordered To Release Lennon Files

Timberlake Rides The 'Alpha' Wave

Dark Child is Back to Work
Mic Check
Who's Next

Chief

After introducing himself to the reggae scene with two creative mixed tapes, Brooklyn’s own Chief has teamed up with DJ V-Smoove and will unleash his third installment “T.O.N.Y” [Taking over New York] in November. The tape is a creative and stimulating mega-mix that should land Chief, a.k.a. Orrann James, a major label deal. The 23-year-old carefully blends dancehall and R&B for a unique reggae sound that that mirrors the Caribbean/American lifestyle. Besides singing, he also writes, produces, and arranges his own music. Originally born in Antigua, he has earned himself a strong fan base through songs like "I Want Your Body" and "Extraordinary" which have resulted in appearances on I.F.-TV and Soundwave Television.


Five Questions for Jason Tripp:

1) How did reggae music find its way into your life? “When I was real young my sister use to play it. I really started liking it and learned the words to several songs. Then as I got older, I started writing my own ones. ”

2) When did you start to realize the potential of your skills?
“When I was at South Shore H.S. [Brooklyn] I started doing shows in the lunchroom with some of the dj equipment I had. My friends would come get me out of my classes and bring me to the cafeteria so I could perform. I saw that there could be a future in what I was doing.”

3) Your new record “T.O.N.Y.” acts like a best of compilation. Was that the intention? “Yeah. It’s like a combination of my first two mixed tapes, but a lot tighter. I’m really excited about it. I had like 50 tracks to pick from. I feel I’ve gotten better and this record will show that.”


4) Is mixing R&B and dancehall music as difficult as I think it is? “What you have to do is make sure the beat you choose is friendly for both. And it has to be laid back. You can’t just attack the beat. You have to go slow. I find ways for it to work by adding string arrangements and ad libbing.”

5) Besides Bob Marley, who has influenced millions of reggae musicians, which artists did you find yourself listening to? “Sizzla is phenomenal. When I was 16 I listened to his conscious messages about God and religion. Bounty Killer is another big influence. I seen him perform one time and he was unbelievable. Watching him perform really got me hyped. I knew reggae was for me.”


----Joseph Barracato

Who's In

Slim Thug

Just how hot is Slim Thug? Consider his clout to be so strong that multi-platinum producers The Neptunes were so eager to sign the Houston rapper to their Star Trak/Geffen label that they are going to still allow him to release independent material through his hometown Boss Hogg Outlawz tag. His major label debut “Already Platinum” will be just that in a short time after its late November/early December release. The Neptunes laced nine of its tracks, while Jazze Pha, who seems to be everywhere these days, cranked out a handful.


Five Facts About Slim Thug:

1) His first appearance came on the mix tape "Swisha House ‘98". Michael Watts, who founded Swisha House, recruited Slim and knew immediately he would become a superstar. The two started selling mix tapes and doing shows together and not before long saw a pretty nice profit.

2) In Houston, Slim broke down a North and South side divider that didn’t allow rappers to travel away from their neck of the woods. Slim, who was from the North side, became only one of the few lyricists who could stray across the boarder and spit with other rappers and crews on the South side of the city.

3) The 23-year-old became a business man and an entrepreneur in 2000 when he set out and created his own record label, Boss Hogg Outlawz. Slim used his experience in selling mix tapes and hustling to quickly master all the finer points of the music business. He was able to find talent, manufacture it and distribute it to the masses. Slim realized his dream wasn’t only about being a rapper alone as he became very interested in all the behind-the-scenes work.

4) He previously worked with The Neptunes in more ways than one. First, the two met when Pharrell would come into town for shows and promotional appearances. He ended up doing a song with Fam-Lay (also on Star Track) and Pharrell, who loved what he heard, eventually signed him. The other would be the fact Slim had already dropped several freestyles over Neptunes-produced instrumentals on his first three mix tapes (Boss Hogg Outlawz, The Big Unit, and The Boyz-N-Blue).

5) Slim currently tops a a long list of talented MC’s that hail from Houston including Scarface, the Geto Boys, DJ Screw and ‘Face. He lists Scareface as a major influence and looks towards a friendly rivalry with ‘Face in the upcoming year.

----Joseph Barracato

Bits & Pieces
2004
 

Corgan Wanders Long Road To Freedom

Instead of teaming with an unbelievably talented and proven band, Billy Corgan has decided to shy away from the recent trend of merging and just finished recording his solo debut album that is due out in the spring. The untitled, 15-track record was produced by Ben Harris and mixed by Alan Moulder, who previously worked with Corgan and his former band The Smashing Pumpkins. But why would he try it on his own? Former Stone Temple Pilot frontman Scott Weiland hooked up with the remaining member of Guns ‘N Roses after a long divorce from Axl Rose and has enjoyed some unexpected success with Velvet Revolver, whose debut album “Contraband” is on the verge of going platinum. And Chris Cornell, who found a life after Soundgarden parted ways, rejuvenated his career with Audioslave: the defunct Rage Against The Machine minus Zach De La Rocha.

One reason he decided on the solo approach is there aren’t any kick ass, musically gifted bands listed on ebay. The other, and main one, is no one has been able to match his creativity over the last five years. He found The Pumpkins moving into a direction he didn’t want to turn and his second attempt at the group thing “Zwan”, died after one disappointing record. Now, with no one to answer to but himself, Corgan has gone on to say that he is very excited about the new album, which is being mixed as we speak, and feels that he has devised something fresh and resounding. Those comments bring back memories of The Pumpkins 1995 double-album “Mellon Collie and the Infinite Sadness”, that rescued music from post-grunge depression and reminded people what true rock was supposed to sound like again.

Besides the new record, Corgan is also set to release his first book of
poetry “Blinking With Fists,“ through Faber and Faber. The 83-page hard cover volume will feature such multipage entries as “The Poetry of My Heart“ and the brief “I Choose“. He is also at work on his first novel for the same company. Corgan finally seems happy again. All by himself.

----Joseph Barracato

Industry Resource Opportunity
1. Real World - MTV
2. Digitone Records Has Open Call
3. WaterFalls - Indie Feature seeks Tracks
4. 55 Entertainment Seeks Hip Hop Flava
5. Indie Label Looking for Songwriter/Producers
What's On Your Mind

Q: Do I need a lawyer if I have a manager?

-- Jason Pryce


A: Actually a lawyer and a manager are both integral parts of an artist's team. In some cases a lawyer can be a manager. However, I believe that an artist should have a uniquely qualified professional for each roll.

Your entertainment lawyer should be specialized in contract review and negotiations, legal disputes, strategic and long term legal planning for his/her artist.

Managers, however, function as a buffer between an artist and any external forces. It is the manager's responsibility to
book, negotiate, schedule and make the artist's experiences as painless as possible. Ultimately, the manager's intimate relationship with an artist leads him/her to become an unseen partner of the artist.

--- Adam P.

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