The Industry Reporter

   Volume 2, Issue #1

Top Five Chart Info

Industry Resource Top 5 Songs

Billboard's Top New Artist

1. I Spit Like, Whyte Out

1. Carried Me: The Worship Project, Jeremy Camp

2. Oh my love, Keli Ivy

2. Pitch Black Law, Pitch Black

3. Firebreathers, Little Egypt

3. The Soul Sessions (EP), Joss Stone

4. Sexual, Nathan Cyohert

4. Keep It Simple, Keb' Mo'

5. Tomorrow Ain't what..., Kimon

5. Casting Crowns, Casting Crowns

The Corner
Nora Jones' album sells 1 Million units in its first week

Courtney Love Gets Angry

Martin Dodd to head Sony Music International Worldwide A&R

EMI continues business without Roy Lott

NJ Woman counter sues RIAA under RICO Act
Mic Check
Who's Next

KIMON

A New York mainstay around the club scene for the past few years with his bands Psonica and Fear
of Falling, Indie rocker Kimon (pronounced Kee-mon) is now ready to bring his unique sound to the world. With his underlying social views and edgy sound, Kimon has quickly developed a name for himself and his music. His first single, "Buy, Buy, Buy", has been picked up by 125+ college radio stations across the country. The video will be released shortly thereafter. The album is slated to drop towards the end of February 2004.

As a long standing member of The Industry Resource, Kimon has exposed his socially conscience lyrics and unique sound to our vast network of industry professionals. Now as a signed artist to Pacific Time Entertainment, a registered member of The Industry Resource, Kimon is ready to share his message with the world.

5 facts about Kimon and his release “Discorporated”:

1. Musical Inspirations: Kimon is inspired by The Clash, Sex Pistols, Bob Marley, Bob Dylan and Neil Young.

2. Musical Sound: “Discorporated” is a Melodic blend of ‘70’s rock and blues with a punk attitude. Kimon dug deep to find the unique sound that remained true to himself.

3. Musical Philosophy: Kimon wants to fight against the hypocrisy and inequities of our society with his musical stylings. With songs such as Percussion Bomb and When All This Is Over, Kimon believes that he is conveying a strength and intelligence in his music that is far reaching.

4. Favorite Track from his album: Tomorrow Ain’t What It Used to Be, because it nails completely everything he wants his audience to grasp with his social commentary on life. Kimon’s lyrics and sound are unique and this track prepares listeners for the rest of the journey they are about to embark on through his album.

5. Future Goals: To continue playing live music, writing strong lyrics and expanding his fan base.

Who's In

Anthony Hamilton

The lesson to be learned from Anthony Hamilton is “Never give up.” Anthony should know. He has been paying his dues for the last 10years, moving on a rocky road from 6 major labels where for one reason or another he never got his chance to showcase his talent….until now.

Anthony first became familiar to the masses when he sang the chorus on Po’ Folks, the smash single from The Nappy Roots debut album last year. The Charlotte, NC native’s critically acclaimed SoSo Def/Arista debut solo album “Comin From Where I’m From” has been nominated for three Grammy’s this year. Anthony is described as an old soul with a sound reminiscent of the golden age of the soul music era-his sound brings to mind an early Bill Withers brought back to life, with lyrics that represent the old soul with a touch of the new era.

5 questions for Anthony:

1. How do you describe your music? “My album is honest soul music. The records are straight to the point, raw and organic.”

2. What kind of lifestyle has singing given you?” I went all over the world singing background for d’Angelo-Europe, Brazil-and had the best time of my life.”

3. Amidst all the downs in your career, how did you keep it together? “I became depressed at times. I was like, “Why? Lord, why? All this love I have for the music-what’s going on? Still, I always kept praying and working and looking for a better deal.”

4. What is your goal with your music? ”I wanna change the game in a way where I’m not knocking nobody out of the way, not claiming to be the best at this or that, but just doing wonders with the gift I’ve been given.”

5. Being on the verge of stardom, what is your outlook these days? “Everything that’s happened up until this point in my career has been preparing people for my arrival. I learned patience, perseverance, and dedication. Now I really know myself, and I know my voice. It’s a voice of pain and victory”

Bits & Pieces
2004

Good news indeed for the music industry. Norah Jones new album “Feels Like Home” just sold over 1 million copies this week. This hasn’t been done since 2001 when N’Sync managed the same feat. Are things looking up? Are consumers ready to start spending on music again? Or could it mean that the audience is changing; people are looking for something more sustainable than the next quick hit. Whatever it means, the one thing that is consistent is that things are changing.

As we enter the middle of February, we’re still awaiting the final official word on two of the biggest mergers and buyouts of major record labels this year. The dust still hasn’t settled yet on the Sony music and BMG merger, there is major opposition from the European market, and the Edgar Bronfman buyout of Warner Music Group is now slated to be completed towards the end of February with a major slashing of personnel to soon follow. There is American Idol, Star Search, and now even Oprah has her own version of American Idol where the final contestants range from their early 20’s to a 36year old mother of five. Talent abounds, the major record labels are in a state of forced reinvention, which all in all makes for some interesting times in 2004 for the entertainment industry, because so many of the record industries problems can be mirrored in various other areas (i.e. film, advertising, television). As talent, now is the time to go for it, because amongst all the confusion and chaos of the old guard, it is your chance to swoop in and create a new way of seeing things, of breaking out from the model that has been in place and create a new way for the industry to see you. It is times like these when the best things happen, because let’s face it, talent is talent, and it is undeniable if you have it; it’s just about being a part of a business model that best distributes this talent.

By now you know that Outkast won the album of the year honors at this year’s Grammy’s, and whether you like their music or not, one thing is undeniable; they are a unique talent. There is no one else out there like them, so the lesson to be learned from them is this: Don’t be afraid to be who you are and have a complete confidence in the uniqueness of what you bring to the industry. Whether you are an A&R executive looking for the next big thing and feeling confined by the label mandates of finding the next “Britney, Justin, Beyonce, Jay-Z, Kenny Chesney,” (you get the idea); or a talent that knows that you are a better songwriter/performer than “Britney, Justin, Beyonce, Jay-Z, Kenny Chesney, etc.” it always begins with developing your ear and/or your talent to a level where you can focus on being recognized as the new guard of the music industry and part of the change that is inevitable, and coming very soon to a city near you.

Industry Resource Opportunity
1. Underestimated talented wanted
2. Investors looking for Talent
3. Established Producer Looking
4. Female Vocalist for recording project
5. Male Vocalist needed now
What's On Your Mind

Q: How do I get my music placed in a movie or TV show?

--J. Steele, Visual Poetic


A: While there isn't one correct answer to this question, the best means of exposing your music to film and TV for consideration is to share your music with up and coming Music Supervisors. These are the individuals responsible for the placement of music in film and TV shows. This market is extremely competitive, so be sure to develop a good "working relationship" with your contacts and they may keep your song in mind for their next project.

In case you were wondering music supervisors are responsible for synchronizing and licensing music with films and/or TV. A good way to locate music supervisors is to attend Film & TV seminars and conferences that revolve around music. Another great source for these contacts is the Film & TV Music guide published by the Music Registry 800.377.7411.

Have a question for us? Submit it to questions@theindustryresource.com


©2004 Tirium Inc. All rights reserved.
The Industry Resource®